Tag Archive: Demos


The Demo by RyliUsually demo sets have a distinct low fidelity quality to them, but Ryli’s set of demos doesn’t suffer from this, and the average listener might not even think it was produced at the artist’s home. The Demo is a collection of fun, not-quite ambient rock songs which come in both lyrical and instrumental varieties. Even after a number of full-set listens, I find myself wanting to just chill out to the music rather than tell you what I think about it.

Vocals flow effortlessly around the rhythm, as if they were willed into your mind. The guitar’s fuzzy distortion on “Wrap The Stars” and “Take Two” doesn’t call attention to itself, but greatly helps the songs. A variety of instruments and tones are used throughout this set of songs, and none of them sound like they were thrown in to add diversity; every tone just works well for every song.

Although the set could be considered shoegaze or maybe even dream pop, some songs dabble into other genres, like the vaguely country “To Begin“, which adds an acoustic touch to the established sound, or the soft alternative rock songs “Take Two” and “Winter“.

RyliThere are only two songs that didn’t work as well in the set for me, but they are only in the context of this being an album, not just a collection of songs. “Winter” and “Attack“, although fun songs, don’t seem to fit in with the rest of the set. Part of it may be the lack of lyrics (though this wouldn’t automatically cause songs to not fit in the set), but they both get much heavier as they progress. They start off familiar, but progress into something that would make them more like bonus track material.

Although I imagine the potential audience for this set has some limitations, it’s definitely an artist and collection of songs you’ll want to hear. You’ll probably be surprised with both the music quality and the fact that no one has signed her yet.

You can download this set for free at Ryli’s web site.

Coco SumnerCoco Sumner hasn’t even released an official album yet, but already has a single and has collaborated with three notable artists. She’s working on an album, though; it’s something to be waiting for.

Before the single’s release, she was already working on her own original music. “Never Be”, “Control”, “I Blame Coco”, and “No Smile” are a few of the demos that can be found across the web. They have a ska-without-brass/reggae sound to them, but it seems that this sound got old quick for her, or she just thought she couldn’t do enough with the genre.

I Blame Coco & RobynThe single: “Caesar”. Robyn (Sweden’s take on Lady Gaga with less gimmicks) provides vocal support on this vague song that references a few famous authority-related themes (Lord of the Flies, the Milgram Experiment). Miike Snow and Diplo both remixed this song at the time of the single’s release.

Sub Focus and Coco: SplashLater, Sub Focus became a collaborator, but this time it’s Coco providing the supporting vocals to the song. Together they made the song “Splash”, which has also seen some success and a remix by Rusko. The original instrumental track can be found on Sub Focus’s self-titled debut album, and the version with Coco Sumner’s vocals is on the “Splash” single.

Fyfe Dangerfield also worked with Sumner a bit; they ended up recording a cover of Neil Young’s “Only Love Can Break Your Heart”. This hasn’t seen an official release yet.

Caesar by I Blame CocoOn the MySpace account of I Blame Coco at the moment of this post, you can hear a number of the songs I mentioned, including a 2 minute sample of a completely revamped “No Smile”. You will also find “Self Machine”, which sounds like it is going to be the next single. The fact that it has been remixed by La Roux seems to back up this theory.

An album should be out soon. If not in a month or two, sometime this year at most. The improvement you can hear from the demos to the new samples show great promise for this artist, and not just for this upcoming release. The ability to work with such a wide variety of musicians (all of different genres so far) suggests great talent, so it’s up to you to pick a genre you like and give Coco a chance!

Cut Your Noose by Vendetta RedVendetta Red is one of those bands that doesn’t dive into a sub-genre pool. Rather, they test the waters of a few and then wade around knee-deep in them. Cut Your Noose is a good example of this; they occasionally taste of screamo, but Zach Davidson doesn’t want all his lyric writing talent to go to waste, and they don’t have enough heavy riffs to be considered hard rock. They just weren’t considering your ability to sort them when they make their music, but that’s the way it should be done, and this EP is a great example of that artistic freedom.

“Three Chord Valentine” opens the EP, and if you only listened to the first verse, you may mistake them for the most troubled emo band you’ve ever heard. The lyrics get more mentally stable as the song goes on, however, and the chord progression makes for a catchy rock track. It’s the cleanest mix on the EP, too; all the tracks afterwards suffer from that limited-studio-time sound.

“Por Vida” is one of the two tracks that can be considered early versions of the song, as they were recorded again for later albums. The track is less impressive overall in comparison to the first one, but it may be the favorite track of screamo fans as far as this EP goes.

Drum Diving at Vendetta Red's Last ShowAnother track that was recorded again on a later release, “All Cried Out” has riffs that sound similar to “Three Chord Valentine”. It suffers from an almost annoying introduction that consists of only vocals and only a bit of guitar. Luckily, the rest of the song loses the vocal tone and gains instrument layers.

“The White Nightmare” is an unusual track for the band because none of their albums have a fully acoustic track, or even a song that comes close to how this one sounds. The song seems to only have three layers: main vocals, acoustic guitar, and backing/alternate vocals. On top of that, the guitar playing is rather unique. I doubt I’ll ever find anything that sounds like that with the interesting lyrics to go with it.

The problem with Vendetta Red is that their material can be pretty hard to find. Odds are you won’t hear any of these songs unless you ask the right person. Part of the reason why this is the case is that they broke up in 2006, but three of the original members went on to form Sirens Sister, so if you like the music and want to see them live, not all hope is lost… If you can make it to the Seattle area.

Written by Steve

On September 29th, Jimmy Eat World announced on Twitter that they would be working with Mark Trombino once again for their next batch of songs. Mark had worked with the band since 1995, helping them put out some of their most successful works such as Static Prevails, Clarity, and Bleed American. However, during the production of Futures, the band decided to go with a different approach and hired Gil Norton. While the the Stay On My Side Tonight EP was produced by Trombino, the relationship between the band and Mark had become strained, and they did not get together to produce Chase This Light.


There’s no guarantee that Mark Trombino will be on board for the entire production, the fans were happy to hear that they were back together, since the band’s most creative music was produced by him. If all goes well, the upcoming album will be the band’s fifth album with Trombino, and their second produced in their Tempe, Arizona studio.

In addition to this announcement, Jim Adkins played one of the new songs on September 17th, at the Modified Art Center in Arizona. “Walk Away” sounded like a slower Clarity-era song with a few modern touch-ups. Although the song sounded great, it was played without the rest of the band, and it will probably have a different instrument arrangement for the new record. This is potentially the third new song for the album, “Stop” being the first, originating from the Chase This Light demos, and a currently untitled track that was played for the first time at the KROQ Weenie Roast in may.