Tag Archive: Collaboration


Coco SumnerCoco Sumner hasn’t even released an official album yet, but already has a single and has collaborated with three notable artists. She’s working on an album, though; it’s something to be waiting for.

Before the single’s release, she was already working on her own original music. “Never Be”, “Control”, “I Blame Coco”, and “No Smile” are a few of the demos that can be found across the web. They have a ska-without-brass/reggae sound to them, but it seems that this sound got old quick for her, or she just thought she couldn’t do enough with the genre.

I Blame Coco & RobynThe single: “Caesar”. Robyn (Sweden’s take on Lady Gaga with less gimmicks) provides vocal support on this vague song that references a few famous authority-related themes (Lord of the Flies, the Milgram Experiment). Miike Snow and Diplo both remixed this song at the time of the single’s release.

Sub Focus and Coco: SplashLater, Sub Focus became a collaborator, but this time it’s Coco providing the supporting vocals to the song. Together they made the song “Splash”, which has also seen some success and a remix by Rusko. The original instrumental track can be found on Sub Focus’s self-titled debut album, and the version with Coco Sumner’s vocals is on the “Splash” single.

Fyfe Dangerfield also worked with Sumner a bit; they ended up recording a cover of Neil Young’s “Only Love Can Break Your Heart”. This hasn’t seen an official release yet.

Caesar by I Blame CocoOn the MySpace account of I Blame Coco at the moment of this post, you can hear a number of the songs I mentioned, including a 2 minute sample of a completely revamped “No Smile”. You will also find “Self Machine”, which sounds like it is going to be the next single. The fact that it has been remixed by La Roux seems to back up this theory.

An album should be out soon. If not in a month or two, sometime this year at most. The improvement you can hear from the demos to the new samples show great promise for this artist, and not just for this upcoming release. The ability to work with such a wide variety of musicians (all of different genres so far) suggests great talent, so it’s up to you to pick a genre you like and give Coco a chance!

Written by Almightyseancore

Oh great, another indie rock supergroup, with a self titled album, no less. The band consists of Conor Oberst (Bright Eyes/Desaparecidos/Mystic Valley Band), Jim James (My Morning Jacket), M. Ward (M. Ward/She And Him) and Mike Mogis (Bright Byes, and lots of production work, including The Gloria Record, and most Saddle-Creek bands). From the name of the band and it’s infamous members, you’re bound to assume the obvious basics; lots of acoustic instruments and sad songs, but this album really isn’t anything like that.

The music isn’t exactly folk, either. Most of the songs are up beat and played with electric guitars, invoking lots of mellow energy and optimism. Hell, the opening track uses a dance beat instead of a rhythm section! The song structures are great, and it’s a great listen, but i don’t see myself picking this album up very often. It feels more of a novelty project that is designed to be nice little appetizer for fans waiting for other records by the core members “real” projects, though it is interesting to hear all these guys working together as a team.

Most of the upbeat stuff comes from Jim James. He brings along a Grateful Dead type feel of guitar playing and melody. Conor Oberst seems to get most of the spot light, 4 songs all to himself during the first half of the album, but only one during the second half. Conor’s songs are a lot like the stuff he did with Mystic Valley Band, very country-ish, with a “Travelin’ Prophet” type lyrical theme. His song writing is full of southern-desert-Americana type lyrics, like a story you’d hear in a 1920s saloon. There’s also a few songs on this album where band members all share vocal parts, like “Baby Boomer”, which has a really catchy down beat that I caught myself tapping my foot to while driving to work yesterday.

The only thing that really bugged me about this record is that it’s obviously a fan pleaser, none of the members are really doing anything outside of their norm, aside from the people they are working with (and conor/m. ward/ and Mike Mogus all worked together on the last Bright Eyes album anyway, so…) there really should have been more genre experimentation, but that wouldn’t have fit their name very well, would it? All in all it really is a fun album full of music that isn’t bad, but isn’t great, and even though they are going on tour for this record, i don’t see them making a second one.

My final feelings on this album… It’s good, but it’s nothing you’ll nerd out on or obsess over.