“Truth” might be best appreciated as a soundtrack to some imagined film. The hero has finally embarked on the journey that his life has lead up to… well, until the six minute mark when Rudess’s acoustic piano solo shifts the song from Michael Bay to Blues Clues. But don’t worry. At the eight minute mark Petrucci effortlessly shifts from acoustic to electric and throws us hard back into some tragic Greek myth with an absolutely heroic solo.

“State of Grace” is a stunningly tender and romantic song that could squeeze the tears out a Clint Eastwood character. Petrucci supplies the soaring highs, while Rudess gives depth and movement with rich, low octaves and accompanying chords in the right hand. It’s my favorite song on the album.

The album goes on through Brazilian bossa nova-style piano on “Hang 11″, Indonesian gamelan on “From Within”, and “The Rena Song”, dedicated to Petrucci’s wife, Rena Sands Petrucci. The song is explicitly credited to only Petrucci, but the piano part is so well-interwoven I have difficultly imagining the possibility that it was not part of the original composition process. 

Pop this in the CD player, take a bath, do your homework, sleep to it. It’s great music just to have on in the background. This album is one you can keep coming back to— you’ll find that the rhythms and melodies are so complex or quickly changing that you will not be able to memorize or hum along to any of the songs.

If you like short, economical tracks with a definite beat, a raging chorus, and consistent single emotion for the length of the song, you may not appreciate this type of recording. But if you want to get away from “mainstream rock,” and can’t quite handle music that sounds like it just came out of a Blendtech blender, then you will certainly appreciate the one-take musical tapestries that these bona fide virtuosos have offered.

On September 29th, Jimmy Eat World announced on Twitter that they would be working with Mark Trombino once again for their next batch of songs. Mark had worked with the band since 1995, helping them put out some of their most successful works such as Static Prevails, Clarity, and Bleed American. However, during the production of Futures, the band decided to go with a different approach and hired Gil Norton. While the the Stay On My Side Tonight EP was produced by Trombino, the relationship between the band and Mark had become strained, and they did not get together to produce Chase This Light.
There’s no guarantee that Mark Trombino will be on board for the entire production, the fans were happy to hear that they were back together, since the band’s most creative music was produced by him. If all goes well, the upcoming album will be the band’s fifth album with Trombino, and their second produced in their Tempe, Arizona studio.

In addition to this announcement, Jim Adkins played one of the new songs on September 17th, at the Modified Art Center in Arizona. “Walk Away” sounded like a slower Clarity-era song with a few modern touch-ups. Although the song sounded great, it was played without the rest of the band, and it will probably have a different instrument arrangement for the new record. This is potentially the third new song for the album, “Stop” being the first, originating from the Chase This Light demos, and a currently untitled track that was played for the first time at the KROQ Weenie Roast in may.

The second the band started playing their opening song “Badlands”, I was drawn in immediately. Although Bruce’s voice wasn’t in the greatest shape that night, he could still hit every note almost flawlessly. That number was followed by “Out In The Street” and “My Lucky Day”, two more songs that beckon to be sung along to. The E Street Band was on top of their game as usual, complete with extended improvisational endings and vocals from just about every member.

The concert slowed down a bit with their fourth song, “Spirit In The Night”, and took a more emotional path with the songs “Outlaw Pete” and “She’s The One”. “Working On A Dream”, one of Bruce’s newest songs followed, and the crowd sang along louder than any previous part of the show. This was followed up by three ’80s folk rock ballads, “Seeds”, “Johnny 99″, and “Point Blank”.
During this tour, Bruce’s fans that are right next to the stage hold up signs with the name of the songs they want to hear, and at some point in the middle of the show during the intro to a song, Bruce collects as many as he can and plays some of them. After a long intro, “Raise Your Hand” was played, followed by the three fan chosen songs. “All Or Nothing At All” was the first of those songs, followed by the quite popular “Growin’ Up”. The last of the requested songs was “Jole Blon”, a song that Bruce said he hadn’t played since 1981.

“Waiting On A Sunny Day” and “The Promised Land” brought the feeling of hope and prosperity back into the performance. During “Waiting On A Sunny Day”, Bruce held the microphone up to a member in the audience so they could sing a line. However, the second person that was given the opportunity to sing didn’t have the timing down, and brought the song to a stop for only a second or two. The E Street band is incredibly flexible, and can work around just about every unusual situation, and that was a save I doubt any other band that size could pull off. The rest of the set included “Racing In The Streets”, “Lonesome Day”, “The Rising”, and ended with “Born To Run”.

The encore started out with an amazingly well performed version of a song from 1854 by Stephen C. Foster titled “Hard Times Come Again No More”. That was followed by “Rosalita”, a longer song always loved by the crowd. Next up was “American Land”, a song Bruce originally played with the Seeger Sessions band, sounded just as good with the E Street Band if not better, and that was followed up with “Bobby Jean”. “Dancing In The Dark” sounded very different than the original, but the electric violin worked very well with this tune. Bruce said “This is our last song” when “Hungry Heart” started playing, but he ended up closing the show with a slow but still enjoyable rendition of “Thunder Road”.

Overall, it was the best show that I have ever attended. I haven’t been to many shows, but I doubt there are many bands out there that can top that sort of performance. The venue was pretty bad due to poor parking conditions, no signs anywhere, and the staff being generally unhelpful, but I guess if you’re hosting the only Bruce Springsteen show in the area, you don’t have to do anything nice for anyone. Bruce Springsteen and The E Street Band put on an amazing show, and no amount of venue incompetence could have prevented this from being the best show I had ever witnessed.