Panic When You Find It is one of those albums that can be just harmonic noise in the background or something you can really get into, depending on how much attention you give it. The guitar tones are usually clear, and the times distortion is used, it is done so sparingly and creatively. The entire [...]

After Alibis And Other Lies failed to truly impress me with its silly and outdated pastiche of arena rock and Australian folk blues, I began to lose hope in probably one of my favorite international bands of all time. After making their masterpieces Easy and New Detention, the latter significant enough to eventually earn a [...]

Those sad little Danish boys are at it again, and after an album as epic as And The Glass Handed Kites it was easy to get excited about what Mew would do next. This record isn’t quite as epic as their last, and not nearly as poppy as the ones that came before, but still [...]

The synthesizer-rock combo is nothing new to the music scene, so you’d expect the bands that try their hand at it in this point of time wouldn’t come off as awkward. The Capes constantly blend catchy with annoying in Hello. All was well in the mix until the synthesizers and effects were added; not all [...]

I was honest-to-God shocked when I heard that the Kings of Leon, a garage rock band I first heard in 2005 with their minor hit “The Bucket” and saw them with their scraggly looks courtesy that of the latest fashion trends, scored a Billboard no. 1 hit with “Use Somebody”, after making teenage girls swoon [...]

Mac, Austin, and Steve discuss the latest Muse release, The Resistance, track by track. There were mixed feelings on the album; different for each person in the discussion.

Actually, it was written by Shane/Malkmusian.
Captain Beefheart: who in the hell is that man, anyhoo? Is he just the brainchild of abstract artist Don Van Vliet, who wanted to play free-form saxophone over disjointed blues-rock rehearsed under harsh conditions? Or is he his own entity, aging at an unhealthy rate from his chubby youthful demeanor [...]

The Hands of Caravaggio is a dark and surreal Alice-in-Wonderland soundscape where the only sound you think you recognize is the piano, and even that, you have surely never heard played in such way. Inspired by the work of a pre-Baroque era painter, fourteen modernist musicians create a very interesting record.

An Evening With John Petrucci & Jordan Rudess juxatposes two of today’s most skillful virtuosos. Real-life friends and Dream Theater bandmates, Petrucci and Rudess take us on a journey deep into the night, through a diverse range of styles and long improvisations. “Fife And Drum” has all the quaintness of a Renaissance-era English party song, while “Bite Of The Mosquito” sends us on a frantic journey through a day in the life of one of the little bloodsuckers.

There’s an anger in the vocals that hasn’t been heard from Hayley before, and it’s not just coating the entire song; it comes in at the right points, which tells me she’s writing songs with more emotion now. Brand New Eyes probably won’t be getting Paramore any new fans that hated them before this album, but it’s a step in the right direction for the band.